This was originally a standard vacation photo shot at Lake Tahoe's Emerald Bay.
The first step was to add a brightness/contrast adjustment layer. The brightness went all the way down and the contrast all the way up. A hue/saturation layer was added next. While it might appear that all colors were desaturated equally, I paid attention to the trees the rocks, the sky and the water, adjusting each until it had the feeling of night.
Next, I dodged and burned using the non-destructive method of adding a gray layer in overlay mode and painting on it with black and white at about 50% opacity. This brought out the texture in the far trees. I played down the brightness of the near rocks and made sure the island stood out. To give the image some extra pop I created a new image layer and used apply image to create one layer with all the adjustments merged. Over that I added a curves adjustment layer and used apply image to create a mask. The light area of the images became the light areas of the mask and when I adjusted the curve, only the highlight areas were affected.
Finally I created a duplicate layer, treated it with a high pass filter, and set the layer mode to overlay. Hitting that layer with a surface blur filter gave a little mystery to the image.
I have debated over whether the image is too dark. I seem to want to see what's going on a little better. However, the feeling I get is one I've had in dreams where I am in a dark room and I want to turn on the light, but it's broken. There is something urgent about needing to see, and I think this picture, so typical on the one hand in it's straightforward pictorial statement, on the other is a perfect vehicle for the dream-inspired conflict I feel while straining to see, to accustom my vision to my surroundings.
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